Cover of Bound

Bound

by Donna Jo Napoli

2012 Simon and Schuster 166 pages English
Publication Date:
December 11th, 2012
Publisher:
Simon and Schuster
ISBN-13:
9781471103391
ISBN-10:
1471103390
Pages:
166

Why Bound Has Been Challenged

Objections to Bound in the settings tracked by this catalog — one state and one district — have centered on its unflinching treatment of foot binding and the physical suffering it depicts, along with the novel's broader portrayal of a household defined by cruelty, deprivation, and a child's precarious position within it. See more ↓

Challenged or banned in 1 state across 1 school district.

Overview

Donna Jo Napoli's Bound reimagines the Cinderella story inside the world of imperial China, where a girl named Xing Xing loses her father and is absorbed into a household that treats her as little more than unpaid labor. Her stepmother renames her "Lazy One" and puts her to work tending the house and caring for her stepsister, Wei Ping, whose feet have been bound in the painful custom reserved for girls considered marriageable.

Xing Xing finds small pockets of freedom in her devotion to poetry, calligraphy, and a garden pond where an unusual carp seems to watch over her. But when her stepmother's finances collapse and the village prepares for its annual festival, the pressure to secure a husband for Wei Ping turns the household against Xing Xing in ways that threaten both her safety and the modest life she has built for herself.

Napoli builds the novel around the tension between obligation and selfhood, following Xing Xing as she weighs quiet endurance against the risk of wanting something more.

Themes and Context

Rather than transplant the Cinderella framework onto a new backdrop for novelty's sake, Napoli uses it to examine a specific historical practice: foot binding, and the broader system of arranged marriage and female dependency it served. Wei Ping's bound feet are not incidental detail but the engine of the plot, tying beauty, marriageability, and physical suffering together in a way that reframes the fairy tale's glass slipper as something closer to a wound.

The novel also sits inside Napoli's broader body of work retelling folklore and myth from the perspective of characters usually pushed to the margins — a project she has pursued in other titles that root fantastical or familiar stories in researched historical detail. Here, the fairy tale's magic (the enchanted carp standing in for the fairy godmother) is filtered through a specific culture and era rather than an invented one, inviting readers to see the familiar structure of "Cinderella" as one version among many across world traditions, and to notice how differently the same story reads once its stakes are made historically concrete.

Why Bound Has Been Challenged

Objections to Bound in the settings tracked by this catalog — one state and one district — have centered on its unflinching treatment of foot binding and the physical suffering it depicts, along with the novel's broader portrayal of a household defined by cruelty, deprivation, and a child's precarious position within it. Critics of the book's inclusion in school settings have pointed to these elements as too dark or intense for younger readers, while others have raised concerns about how the story handles themes of family neglect and control. Supporters counter that the discomfort is inseparable from the history the novel is engaging with, and that softening it would undercut the point of grounding a familiar fairy tale in a real and painful cultural practice.

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Banned in Schools

Banned or challenged in 1 state across 1 school district.